Visual Language- Study Task 5- Form Flow Force- Strike a Pose

Strike a Pose

For strike a pose i needed to do life drawing in 20-30 minutes. This was a great task as i dont have any experience in drawing people, especially when they are sat in front of me for such an extended period of time so this was a great task to learn from and experiment with.

This was the first sketch i produced which didn't turn out as good as i wanted as i only had a 2h pencil at hand and didn't have time to change it as we had already started sketching so i worked with what i had. For the next sketch i want to improve on the face as i know i could have added more to it but i was concentrating on the torso too much, so i need to think of the overall final piece and what it needs to look like.

I really did like this sketch as it let me show so much more detail as i was using a fine liner. I was sketching this model while he was someone else so i could makes sure he wasn't going to move. I do like this medium as i use it when sketching anyway as it gives a really nice overall look to the final piece. It is also very clear what he is wearing and how he is sat so this is why i think this one turned out much better.

This sketch was of my model when she was smoking. As she was just sitting down i thought it was a good chance to get another sketch. I used oil pastels as they worked really well for a sketch i did in the last task. I loved the way the layers could really be built up which is why i started off with the dark shades on the seat, table and hair and built up from there. I could also capture the body part and how she is sat really well in this medium as well.

After that sketch above, i did this one right after so i kept using the same medium. I went for more warm colour this time, only using yellow, orange and brown. Paired with the stance, i really liked how animated she turned out. The colours are nothing like the original so it adds a different look to the overall end piece.

For this sketch, i simply used biro as it is quick to sketch with and easy to add shading or darker lines. I think the body and bean bag chair she is holding did turn out looking good but i did the glasses too dark so they look more like shades which is not the effect i wanted as the overall end look as you are drawn to that focal point as they are the darkest point of the drawing.

Finally this is the last sketch i did for this task. I had the model lie on two bean bags and relax so i could get all the arms, legs and face done before she moved. I love how this one turned out as the coloured pens i used really captured the tones, shading and details i wanted them to. This was one of the best ones i have done as i have thought about the whole design before i dived in a randomly sketched like i did at the beginning.

After drawing all of these and doing this task i feel i have improved on drawing the human form and concentrating on what is in from of me and not being worried about time. In the future i want to study more life drawing as i really enjoyed doing these sketches, that will also help me carry on developing myself and how i draw people as well as form, flow and force.

Visual Language- Study Task 5- Form Flow Force- Ah, Push It!

Ah, Push it!

For this task we were given 5-10 minutes for each sketch, showing someone pushing or pulling on an object. For this task i had to think of different poses to ask the models to do so i could show how the body looks when using force. This was hard because the body doesn't always look like it is strained when it is pushing or pulling objects.

This was the first sketch i did for this task and is of the model pushing on a cupboard door to open it. Although this pose does show how force is needed to pull, it is not well drawn as i used charcoal on paper with ink in the background. If i had been able to get the head right, it would have really improved the overall look but with the charcoal, i just ended up shading too much so it went black. This will be something i will improve on in the future as i need to work on how much charcoal is needed to add subtle amounts of detail to forms.

My model sat down to do her shoe and tie it but i found it to be a good pose, this is why i asked her to exaggerate it and i got this result. With the dark background and pale scratchy pen, it becomes very clear what the main focus is. I also added in the background as i needed to ground the character as she just looked like she was floating. I still feel i can draw better but i keep getting worried about time, but on the next sketch i will try to spent more time on the face or clothing.

My model was picking up a chair in an exaggerated pulling motion. This is why she is strangely stood over the stool. I did spend more time on the clothing like i said, so it is a bit more obvious that she is wearing a thick jumper, but after i started sketching i found it looked interesting if i explored the negative space behind the character. This made it clearer that she was stood on the floor and was near a wall. I do feel i did use the charcoal better in this sketch so i have improved from the first drawing i attempted.

When i was exploring mediums i found some oil pastels. I then used black paper with bright fluorescent oil pastels layered on top. I haven't used this medium in a long time but i really loved the result overall. I started exploring how i could show shading and fluidity with where the force was most relevant. I did this by shading all the areas experiencing force, in a purple while the background was a cold blue and green. This is one of the best ones i feel i have produced as it really shows how the model is pushing on the brush and what position the body needs to be in.

This is the final sketch i have done for this task to show force. I had the model sat in a chair but pushing up with her arms to keep her in that position. I did this in pencil and a maroon pencil to add the tones. I added more of a background into this sketch to show where the model was sitting as she was against a door. This is showing how the chair is squishing to accommodate for the person, which is why i did it as the darkest item in the image as it is having the force on top of it as well as the models arms.

Overall i do think i need to think of this concept more as i dont show much force in the sketches i do, this is why if i do sketches in the future, if someone is showing a force. I will make sure to show it and how the body is moving with it.

Visual Language- Study Task 5- Form Flow Force- Like a Puppet on a String

Like a Puppet on a String

For this task we had to do 12 poses again, yet this time we needed to show more of the squash and stretch within 10-20 poses. This quite hard as it took a while for the models to think of what to do for each squash and stretch as we needed to get a lot of motion to show what was happening.  

This was one of the first designs i tried which does show the model going down, yet i think i would like to show more of the squash and stretch within the piece. This was a basic set of poses to start with but i will defiantly try to push more and show more of what the brief needs to show.

I really like this sequence of sketches. I had three pens in my hand and as the model was going from being a small ball on the flood, to being stood tall with her arms up, i was interchanging the pens to show how she was gradually growing and getting bigger and taller. This is hard to see the smaller poses but if you look in the centre, you can see how small she was at the beginning so this is showing the stretching our body's can do in different stages.

For this design the model was going from being outstretched and slightly lunging forward in an exaggerated position, to bending down and squashing down to being smaller and wider. This was a good sequence to show the flow at the beginning, down to the force of bending down and how the body contracts down.

This was the final sequence i have done where i moved to the side and looked at the model going from a crouch, all the way up to being stretched, and then back down. This was a good one for me to try and fully show how the body gets bigger and smaller in different positions, this is really what squash and stretch is all about. How the human form constantly changes depending on what position they are in.

This was a step on from the first task as i was able to show the flow of the body but in a little bit more detail, so i could show what i learned from the first task, but extend what i gained from that task into this one.

Visual Language- Study Task 5- Form Flow Force- Rhythm is a Dancer

Rhythm is a Dancer

For this brief we were given 4 different tasks. This task was to do 12 poses on one page of A4, each one to be done in 10 seconds and show the most basic motion, flow and form. For this, i wanted to show more of the basic form, and as we only had 10 seconds per sketch, i did extended lines for which part of the body the weight was balancing on. 

This image was on of the first ones i tried. As i hadn't seen how fast 10 seconds went, i kept getting behind when the model was moving so the legs didn't really move much, and neither did the arms. The model also found it hard to take into consideration every part of the body, so this is why she forgot to move her hands and arms for most of it, as she was thinking of her legs.

For the next sketch i wanted to show the fluid lines more as well, this is why when she moved again i decided to change how i sketched.

For this sketch i was more aware of time management when my model was moving, this is why you can see a bit more movement in the arms and legs. I also found if i really exaggerate the main body weight into that one long line, it really strengthens what position your trying to show. This also helps show more of the fluid forms motion.

For this, there was a lot of motion to watch as i was looking from a strange angle so i needed to think more for each design, this is why i couldn't get enough fluidity in these sketches. This is why i changed position after this, so i could fully see what was happening and how the model was moving.

As i moved to sit at the front of the room, i found i could see so many different things as i had the front view of the body. I then kept finding it hard to fit the sketches all on the page in a line as 12 is a lot when your trying to show motion. This is why i showed them actually moving, because where i was sat, this is how the model moved around. I really liked these sketches to i stayed here for another few drawings so i could really show how the motion on the model was throwing around the body weight.

This model moved around and gave very dynamic poses, this is why they move around so much and look very different. I liked these as i could really show how the body was transitioning from where i was sitting, this gave me some good motion and fluidity through the simple sketches, especially in the first 5, as you can see where she was going from one position to another.

I again tried another walk cycle as i really wanted to try and show how the human form moves up and down as they go across. I think i did manage this because if you look at the top, the head is bobbing up and down like it is supposed to, which you cannot see in the first sketches. I really wanted to show more detail in these sketches but as they were only 10 seconds i couldn't, as i would have lost what the model was doing and get behind.

This is the final sketch sequence i have done that shows again, a model moving around a lot for the 12 poses. They wanted to be dynamic to show the form of how the human body moves. This is why i did a lot more angular lines, as the flow was not being shown, it was larger movements to show the body.

This task has made me understand the human form more in the most basic ways, as there is a continuous line that goes through the body from the foot on the ground, to the head. This is how you can show the most movements. I want to look at other artists that did this style of research so i can see how they approach this. I know of a few artists like Glen Keane and Ryan Woodward who do this so i will research how they do each stage.

Visual Language- Study Task 5-Life drawing/ the human form in an animation context- Glen Keane

Life Drawing & The Human Form: 

Glen Keane

Glen Keane is amazing at capturing motion and the real fluidity that comes with dance. In this video it just shows how he studied dancers and how they move so that when he animated this video, they showed exactly what went into each movement and stance he had the characters take.

In his final animation, the way he has drawn the characters, is so elegant and soft, so that the fluid lines can really be seen and the viewers can see how soft the dancers would have been in how they stand, move and walk. This all adds to his final piece because he studied them so closely, it comes across and can be seen in the animated character.

After doing our task, i really want to do more with what i have learnt, as i know the basics of how peoples form moves and contracts, but i would love to show an animated version of someone dancing like Glen Keane. I will defiantly do this in the future because, i only had 10 seconds per sketch. So i think it would be interesting what could be created if i spent more time studying the motions like he has in the video above.

Visual Language- Study Task 5-Life drawing/ the human form in an animation context- Richard Williams

Life Drawing & The Human Form: 

Richard Williams

Richard Williams is an animator who has spent a long time doing life drawing and studying the human form, you can see the result of his studying in his animation 'Prologue' which is just under 10 minutes long and is hand drawn to an extremely high standard. This really shows his skill as he is able to show, in detail, what the human form looks like while moving and how to show detailed camera movements along a scene.

As the video has not been fully released, i can only find a clip of what the film looks like but it still shows how he understands the human form in animation. Doing this type of animation meant Richard Williams had to draw every frame which is why it is so stunning that he had created a photo realism animation.

If i were to do this form of animation, i would have to spend a lot of time perfecting each frame so that the overall look ended up as smooth as Williams has been able to create his to be, this is why animators tend to stay away from this form as it is so time consuming.

Visual Language- Study Task 5-Life drawing/ the human form in an animation context.-Ryan Woodward

Life Drawing & The Human Form:

Ryan Woodward

Just after watching this animation, you can see how he studied the human form and how they flow through movements like Glen Keane does. This is an animation i found a while back and really helped me understand how to show basic shapes but also show so much just from those simple lines.

When doing the study task of Flow, i looked at this animation, yet it was hard and impossible to show something this detailed in just the 10seconds we were aloud to do per sketch of our models moving. This is why i decided to do them simply with stick figures but with extended lines to show the flow so, using this animation i was able to show the flow through another way of sketching which i had not tried before so this was a good learning experience as i feel i understand motion a lot better. 

I would love to produce animations like this in the future as they aren't overly hard to animate, but the struggle is with getting the motion to flow smoothly to create a realistic look overall and in the final piece.

Visual Language- Study Task 5- life drawing/ the human form in an animation context-Joanna Quinn

Life Drawing & The Human Form: 

Joanna Quinn

Joanna Quinn says lots of helpful things in this video that i will use and take on board for the future. One of the things she says is that when she is drawing her characters, she looks at herself for the positions. She uses herself as her own model for life drawing as it lets her achieve different perspectives and angles. This has been used as a method since the beginning of animation, as artists used to have mirrors, like Joanna Quinn has, so that they can look at facial features, expressions and movements.

Another thing she said was that when doing hand drawn animation, dont take your time when doing establishing sketches, just draw the flow and motion. This is so that if it goes wrong, you can just rub them out or throw it away and not have wasted much time. This means she really understands the human form as she can sketch the characters so easily in strange position and they still look realistic.

Sometimes when you draw motion, it doesn't look exaggerated enough so you need to over exaggerate it, as Joanna Quinn states, if you draw it over exaggerated, it will still look normal as it would follow how your character carries themselves, it just makes it look more interesting for the viewers to see. Here is an animation she created showing her aesthetic and how her characters tend to look and move within the animation.

Visual Language- Set/scene/Sequence-Sequential Imagery and Drawing Practice-10-The Lion King

  Sequential Imagery and Drawing Practice: The Lion King

 Normally storyboards are done more basic so that time can be spent on animating and other aspects of the animation but these are they storyboards done for The Lion King. I was very surprised to see these done in this much detail as they budget was less for this movie as the main focus was to produce Pocahontas. On the other hand this might be why so much time was spent getting every frame perfect. As there was less money for the animators so it was cheaper to hire good storyboard artists compared to animators.

The way these have been done is very stylised, the characters have already been built up into the final characters so this made it really easy for people to come from the outside and understand what was happening, but also produce an animation that looked exactly like the storyboard. This made it easier to create the movie as there were no debates on camera shots or perspectives, as it was all done on the storyboards.

This proves how important they are within movies and animation, as they help people to produce a movie that they have never seen but understand what is happening and what will happen, as well as letting people see what the character can look like. This is also done in concept design, so the two go hand in hand in letting the overall outcome be understood and come to life.

Here in the image bellow you can clearly understand and see what is happening and where the camera focus needs to be for each shot and second of the animation. They have also done this by shading certain characters so they become less the focus for when a new character comes in.  This is shown by Timon being brighter than Simba when he is walking away.

Visual Language- Set/scene/Sequence-Sequential Imagery and Drawing Practice-9-Tank Girl

Sequential Imagery and Drawing Practice: 

Tank Girl

Tank Girl is another graphic novel that uses sequential imagery to produce a story that is simple to follow and in these comics, strange and unique.

The aesthetic of this comic looks like the Gorillaz characters in their features and characteristics, but the overall look is different from most comics. The storyline is also aimed at adults as it contains a lot of nudity and swearing. This is why they can push the boundaries more, as they are aiming it for an older audience.

The way the comic is laid out needs to be simple for this story as they tend to be very violent and quirky, if they were too complicated and noisy. They would be hard to follow.

I do like the style of this comic as it can go from more simple designs like the one on the right, to very detailed on the larger pages, like the first image. This shows they prioritise the detail for the much larger drawings.

Visual Language- Set/scene/Sequence-Sequential Imagery and Drawing Practice-8-Regina Pessoa

Sequential Imagery and Drawing Practice: Regina Pessoa

Regina Pessoa has a very unique way of showing her storyboards and images, as she uses mainly black and white. This therefore makes the images bold and clear to the story.

This method of sketching would mean that if she were to do a full length movie, they would take too long so these are for shorter films, to which are around 10 minutes long.

She sketches in this aesthetic in her sketchbook also, so she can practice constantly and keep producing work all the time. I would like to try to use this form of animation for the effect it gives the overall piece but i would have these pieces of work for more the final outcome, not the storyboard as these would be too time consuming, but it would be a good look to try in the future. 

I didn't use her style in Set/Scene/Sequence as my story is more playful and this effect created a deep creepy look which wouldn't have matched what i have been doing. It has still been good to look at her work as i feel she really shows something unique in her work and art.

Visual Language- Set/scene/Sequence-Sequential Imagery and Drawing Practice-7-Michaela Pavlatova

Sequential Imagery and Drawing Practice:
Michaela Pavlatova

Michaela Pavlatova uses sequential imagery in her sketchbooks. I found these images in books that show some of her drawings and how she lays out her sketches and storyboards.

Even thought the way she draws is sketchy and using block colours, the way she sketches uses a lot more details. These images show detail and shading to show items and perspectives. She has then decided the timings at the bottom so when animating the images, she has a framework to follow.

In the industry there isn't always time to do detailed storyboards like these ones as thousands need to be created, yet because she does shorter animation they can be more detailed. She is also working alone on some of the projects so this also gives her the chance to do the work on her own terms and in her own aesthetic.

Visual Language- Set/scene/Sequence-Sequential Imagery and Drawing Practice-6-Isabel Herguera

Sequential Imagery and Drawing Practice: Isabel Herguera

As soon as i saw these images done by Isabel Herguera, I loved the unique aesthetic. She has made a sequence on the right that all flow together and can be understood. The colours she has used make all the images pair together and look like the whole page is collected which is good as you need to be able to follow the scene.

As you can see, this is what kind of animation she produces, where the simple style is made unique, by her use of colour and charcoal. This really helps to make each one of her designs look like her own and stand out. Her form of animating is not to my taste but it is good to see how animators are still using mixed media within the industry. That is why i like the work she produces.

I was looking into artists that use mixed media as i have used this in my storyboard as i love mixing the media of pen, ink and charcoal. These all mix well together to create a unique look overall, this is like the one above which mixes them all, and others layered onto.

Visual Language- Set/scene/Sequence-Sequential Imagery and Drawing Practice-5- Brent Green

Sequential Imagery and Drawing Practice:

Brent Green

Brent Green has a dark look to his sketches and storyboards. Even though my storyboard is playful i still enjoyed looking into his work and what his final animations looked like. 

He is another artist that, in his sketchbook, has just sketched messy small drawings. These have enough detail for him to understand what is happening when he comes to animate, so they are perfect for him to get what he needs, while saving time from not spending too long on each one.

On my storyboards, i wouldn't have normally spent that much time doing them in such detail, as it isn't needed. I wanted to show where my drawings and concepts have all lead to so this is why they were time consuming, but if i were doing them in the industry, there wouldn't be time.

Its a good lesson on time management, as hundreds need doing for some scenes in movies so they have to be done quickly and look clear. I will make sure to take this further in the future, to make sure i can produce the work needed in the allotted time given.

Visual Language- Set/scene/Sequence-Sequential Imagery and Drawing Practice-4-Sin City

Sequential Imagery and Drawing Practice: 

Sin City

Sin City is a visually stunning graphic novel that uses black and white tones to create dramatic actions and forms. Their way of drawing was really what made the whole atmosphere of the novel so impactful, which is why when it came to turning it into a movie. They decided to keep the aesthetic the same and use this bold way of using lighting, to their advantage.

Most novels look like they are for young adults whereas this elegant way of drawing really broadens their audience to more adult viewers. When i first watched the movie, you could really see it was based on a graphic novel as they way the move through the scene has really been taken into consideration to show how the comic shows the sequence.

I looked at this because i wanted to create a similar effect with my storyboard, where i am only using black and white, till the main focus comes along and that is the colour. Sin City used this when a damsel came onto the scene or a main villain appeared. This is why i researched into their aesthetic and could really see how stylized the movie was to the graphic novel.

I also find some comics get too confusing when their sequence becomes too messy or busy, or they try to make the boxes weird shapes. Here you can see how they used the basic shapes of the page to create elegant clean looks to the overall pages.

Visual Language- Set/scene/Sequence-Sequential Imagery and Drawing Practice-3-Fiona Staples

Sequential Imagery and Drawing Practice: Fiona Staples

Fiona Staples is a comic book artist who has done storyboards that start out very simple before the works on them, and they gradually get more detailed until the final outcome can be created.

For storyboards, basic block shading can be enough to let animators understand what is happening and what the perspective and lighting needs to be. This can be seen in the second image and they are still basic drawings but with small amounts of colour added to create a more detailed final design.

In the last image you can see how setting out the sequence as simply as possible can get a really nice overall look when it gets to the final stage. I like the aesthetic that she has with her work at the colours are all soft tones so the comic isn't too hectic in detail which can distract the eye of the viewers too much.

I would love to produce an animation with this comic style in the future as it gives are really nice look overall which appeals to me. I will also produce my storyboards more in this style too as it looks professional and it straight to the point, with not unneeded detail, clouding the small drawings.

Visual Language- Set/scene/Sequence-Sequential Imagery and Drawing Practice-2- Paul Driessen

Sequential Imagery and Drawing Practice: Paul Driessen

This is the work of Paul Driessen and is a perfect example of how storyboards and dont have to be big masterpieces, they just need to show what is going to happen in each shot. These are images from his sketchbook, where he does not need to be neat, they just need to be informative.

Sequential imagery is just a sequence of images that are put together, here you can see just how many are needed to create a detailed final animation. For animated movies, they need thousands. Here are just a few from Paul Driessen but it really shows how he works and how he puts the images together to form the sequence.

I do like the way he has done freeform thumbnails to hold his images as they are quick and easy, instead of finishing templates and going out of you way to make them perfect, as storyboards and thumbnails aren't perfect. They are quickly done as a source the animators can look at to understand the scene and what is going to happen within it.

Visual Language- Set/scene/Sequence-Sequential Imagery and Drawing Practice-1-Steven Subotnick

Sequential Imagery and Drawing Practice:  Steven Subotnick

Steven Subotnick was an artist who stuck out to me when i was reading the book Animation Sketchbooks as he has these designs that are so detailed and done in inks and charcoals, but then when he does his storyboard sequences, they are a lot simpler and just there to show what is happening. This is common as a storyboard artist doesn't have time to make each one a masterpiece, they need to do so many that a basic design is a whole lot more practical. This is why i loved his work because many people expect them all to be done to an exquisite level, when that really isn't good for time managing a project.

Here you can see where he has done simple tonal pencil drawings to show a hunter going through a wood. He has used different angles of the pencil to create the different effects and to get different textures into the animal, as well as the trees and fields.

Study Task 2- Environmental Storytelling- Royal Armouries

Royal Armouries

My final environment to study is the Royal Armouries . This museum is filled with guns and battle items and clothing so there was lots that i could have seen and drawn which is why i did quite a few sketches on my way around.

As i wanted a good scene i couldn't just sketch some items, so i looked at the place from wide shots so i could see shapes and angles of the way the whole place was laid out. This ended up letting me see lots of different perspectives and geometric angles that i wouldn't have been able to try if i was doing all close ups.

Here are the thumbnails i sketched of the scenes i am wanting to sketch. There are two from the same section and the rest were from when i found good shots from around the museum.
I have decided to do this location in biro as it gives a good scribbly effect that goes well with my style, i can also get some good shading and highlights with this medium that i cant with some other mediums.

This first sketch is of the balcony that ran right down the centre of the building, separating the sides, apart from some small bridges used to cross over. This let me get some amazing pictures of perspective as i could see above and below the level i was in front of which really added to the overall effect and look of this sketch.

I took this picture thinking of the rule of thirds, this meant i could use the horse and night holding the lance as the main focus. Which turned out really well as the windows are all tilting to add to the effect that the scene is getting further away and that there is only a small balcony connecting the two halves of the museum.

This is another one of the sketches i have done of the same location. This was from the bridge on the next level. This really showed another type of perspective as i was looking down. This still let me show how the building was laid out as the windows are still showing they are getting further away as well as having the horse and night as the main focus again.

This is the next scene i have done a sketch of. It is a scene i am looking down on and is of a battle display and some display cabinets of armour. When i was walking around the Royal Armouries, this was a scene i really wanted to draw as it is different and gives a different perspective, like the viewers are watching the character walk through the scene from above.

I do find that biro lets me get a lot of detail into each scene which is why i do like using this medium, but it is difficult to add in different tones just with one pen. This is why i was surprised how well some of the scenes turned out when i experimented in making the tones and shading all different.

This is the final image of my sequence from the Royal Armouries. This was a room with more modern weaponry. This was a hard scene for me to do as there was a lot of wood that was the same colour. Yet i needed to change the effect so they can all be distinguished. This is why i am happy with the results overall as it is a completely different scene from all of the others but still fits in with the location and looks like it is part of the same location.

Overall i would use this medium again yet i would make sure to leave a lot of time for it as it did take me a long time to do these scenes to have this overall look. I would also use it for creating texture as fine liner tends to look smooth whereas this medium can add textures and tones to different items.

Study Task 2- Environmental Storytelling- Abandoned Building

Abandoned Building

As my second location i have chosen the abandoned building on the outside of Leeds. As i was drawing this building i realised just how hard it was going to be because of its shapes and the detail needed to make it look realistic. 

Here i have done thumbnails so i can see the dynamic shapes and angles that this building has and from the positions i have decided to draw it from.

I have tried to draw angles from someone almost walking right round the building as both ends looked different and there were loads of angles i wanted to include.

For this i am using a fine liner as i love this medium as it lets me get so much detail in such small spaces, this is why this building will be very detailed overall, because of the medium.

This was my first sketch which you can see as i was a lot more timid with how dark i wanted the building to be. I did a close shot as it shows the structure up close whereas the rest are from a wider view.

This let me show how rundown the building was as the metal has become rusted and the stones are dirty so it was good to show this when i was closer up, drawing each element closer.

This was when i walked further back to show how the detail and dirt are harder to see. This was also so i could show how the circular bace looks as the entrance and how it all curves around that point.

After realising how dark i was able to go it was at this point the rest looked more confident with being bold whereas the first one i held back. This was a learning point as in the future, i will try to approach the drawings with more of a view of how the colour could be bolder and show more detail.

This was a very different view of the front that shows how long the building is and the angle is is at. I really liked doing this sketch as i could really show the angles and perspectives within the structure.

For this piece the hardest part was drawing enough detail to show what was happening because if you do too much you can lose the overall effect but i think because of the curved front structure, this added enough for me to do less for the background, as the main focus was the foreground.

This angle looks straight at the building so you cant see behind it which adds a very good effect as the front looks flat but the curved structure still looks curved so it looks like its coming forward, this is also helped by the building next to that one as it shows how big the building is but also the street looks far away and therefore not flat.

This is the final image i have done that doesn't particularly look right because of the weird shapes of the building but i still like how the curved front still stands out and comes forward so much. If i had done the very left as a straight line it would have extended the side to make it look correct but from where i was, the angle seemed to create an illusion that looks odd overall.

I really loved using this medium as you can get so much detail even if it does take longer than pencil. I will use this medium in the future to create bold lines and dark contrasts with the grey scratching so it can really show the environments in full detail.